ABOUT

We design with what remains.

Our practice begins where conventional value ends: in fragments, offcuts, surplus, and discarded matter. These materials are not mistakes or leftovers; they are witnesses. They carry time, extraction, labor, and excess within their fibers.

In a society saturated by acceleration and replacement, we choose transformation over production. We do not seek novelty for its own sake, but meaning through reconfiguration. By reworking what already exists, we question systems of waste, consumption, and invisibility.

Design is not neutral. It is a cultural act, a political position, and a responsibility. To transform discarded materials is to resist disposability, to slow down the cycle, and to propose another scale of value one rooted in attention, craft, and intention.

Each object becomes a passage: from neglect to presence, from residue to form, from extraction to care. The act of making is an act of repair, not only of materials, but of perception.

We believe the future of design lies not in endless invention, but in conscious transformation.
Not in accumulation, but in elevation.
Not in excess, but in resonance.

This is design as commitment.
Design as transformation.
Design as a way to re-learn how to live with what we already have.

Our process moves between precision and intuition.

We work across tools and temporalities: from advanced digital technologies to manual gestures, from simulation to matter, from data to touch. Technology is not a shortcut, but a lens. It allows us to test, anticipate, and question form before it exists. Craft is where intention becomes real, where resistance, imperfection, and time give the work its final authority.

Each project unfolds through dialogue. We collaborate with artisans, engineers, researchers, and makers whose knowledge shapes the work as much as the material itself. These exchanges are not outsourced steps, but shared territories where ideas are refined, challenged, and transformed.

Our studio operates as an open ecosystem. We work with individuals, brands, and patrons who value experimentation, cultural meaning, and long-term vision. Collaborations are built on trust, curiosity, and a willingness to move beyond predefined outcomes. Whether developing a unique piece, a collection, or a spatial intervention, the process remains adaptive, rigorous, and narrative-driven.

Digital tools allow us to prototype, model, and project possibilities. Human hands give them weight, friction, and presence. Between the two, the studio defines its language: a continuous negotiation between control and chance, innovation and memory.

The process is never linear. It is iterative, collaborative, and alive.
Each project becomes a convergence of technologies, savoir-faire, and shared intentions, shaped by those who choose to engage with it.

Design, for us, is not a closed discipline.
It is a platform for encounter, transmission, and transformation.

Selected Clients & Cultural Partners

Luxury Houses & Brands

Audemars Piguet
Hermès
Perrier-Jouët
G.H. Mumm
Royal Salute
Chivas Regal
RSRV
Martell
Maisons du Monde
Microsoft (Cultural & Patronage Programs)

Academic & Cultural Institutions

Parsons Paris
École nationale supérieure des Arts Décoratifs (Paris)
ENSA Limoges
École de Condé

Public & Institutional Partners

City of Issy-les-Moulineaux
SNCF Immobilier
Île-de-France Region
Hauts-de-Seine Department

The studio collaborates with luxury houses, cultural institutions, and public bodies engaged in long-term vision, material experimentation, and cultural transmission.
Each partnership is approached as a dialogue between craft, narrative, and contemporary forms of value, whether through collectible objects, spatial interventions, or research-driven design projects.